An analysis of amy lowells poem september 1918

Her family was Episcopalian, of old New England stock, and at the top of Boston society. Lowell was the youngest of five children. Her elder brother Abbott Lawrence, a freshman at Harvard at the time of her birth, went on to become president of Harvard College. As a young girl she was first tutored at home, then attended private schools in Boston, during which time she made several trips to Europe with her family.

An analysis of amy lowells poem september 1918

She enhanced her promotion of imagism as a viable alternative to traditional forms with the composition of over poems. The sheer volume of verse mars her canon by the inclusion of mediocre works among such masterpieces as "Patterns" and "The Sisters," a defense of female artistry.

Until feminist criticism defended her place among early-twentieth-century poets, she was largely neglected, in part because homophobic critics rejected her bisexual and lesbian views on human relationships. Lowell's mother tutored and educated her, and she completed a basic education at private schools in Boston and Brookline.

Much of her learning derived from self-directed reading in the family's vast library. At age 13, to aid a charity, she published a volume of juvenilia, Dream Drops, or Stories from Fairylanda token of the late-blooming artistry yet to emerge. Lowell traveled across Europe before settling in the family manor, Sevenels, in Lowell published her first sonnet, "A Fixed Idea," in Atlantic Monthly infollowed by three more submissions and the translation of a play by Alfred de Musset, staged at a Boston theater.

Acclaimed for Keatsian verse in A Dome of Many-Colored GlassLowell stopped mimicking other poets' styles in and developed an independent voice, in part influenced by Ezra Pound, H.

Lawrence, and Harriet Monroe, editor of Poetry: A Magazine of Verse. Following positive reception of her experimental "polyphonic prose," her term for free verse, in Sword Blades and Poppy Seedsshe published in The Bookman, a respected New York monthly, and edited Some Imagist Poets, A landmark work that sets the parameters of imagism, Some Imagist Poets names six requisites for imagism: To employ common language that is precisely suited to the phrase To search out new rhythms to express new moods To welcome all subjects to the field of topics To quell vagueness with exact images To produce hard, clear verse free of confusion and distortion To compress thought as though distilling the essence of meaning Lowell's own output in the new poetry genre of imagism included Men, Women and GhostsCan Grande's CastlePictures of the Floating Worldwhich contains some of her best short works, and Legendsa critically successful collection of narrative verse.

Lowell earned a reputation for violating conservative standards by flaunting her obesity, swearing, smoking cigars, and having a same-sex lover, actress Ada Dwyer Russell, with whom Lowell remained all her life.

In addition to poetry, she published translations in Six French Poets: For Fir-Flower Tabletsa detailed collection of miniatures, she joined Florence Ayscough to translate Chinese verse into "chinoiseries," restatements of Asian idiom in English.

During a period when she experienced eye strain and glandular imbalance, Lowell labored on a two-volume centennial biography, John Keats A substantial contribution to English criticism, the work began as a Yale address and flowered into exhaustive research.

Historians blame the rigor of the insightful study for Lowell's sudden death from cerebral hemorrhage on May 12,in Brookline. She was buried at Mount Auburn Cemetery. Chief Works InLowell published her masterwork, "Patterns," a tense, almost frenzied free verse minidrama spoken in first person.

Dressed in the constrictive gown, powdered wig, and jeweled fan of the eighteenth century, she contrasts the natural colors and configurations of daffodils and squills, bulbs that flower in spring.

Tears sprung from pent-up emotions parallel the silent shedding of blossoms from a lime tree. As though casting off the constraints of fashion and social propriety, she fantasizes about meeting her lover among the hedges. By supplanting a silver and pink gown with the flesh hues of her own body, she envisions a passionate chase in which the man, graced by reflected light from "sword-hilt and buckles," stumbles after her as though held back by the trappings of military rank.

At the climax, complex interweavings of grief and dreamlike seduction are emotionally too much for the speaker to handle, threatening in line 57 to overwhelm the dreamer.“Patterns” is a poem composed in the light of the Imagist movement in modern poetry, for which Amy Lowell had great sympathy.

She eventually became one of its major proponents and leaders. All of Amy Lowell Poems. Amy Lowell Poetry Collection from Famous Poets and Poems. September "September, by the modernist poet Amy Lowell was very enlightening poem.

It gave a sense of hope and imagination. It was how the writer wanted to see the world in the year of , during World War I.

Louis Untermeyer [Amy Lowell’s first] volume, a Dome of Many-Coloured Glass (), was a strangely unpromising first pfmlures.com subjects were as conventional as the treatment; the influence of Keats and Tennyson was evident; the tone was soft and sentimental, almost without a trace of personality.

An analysis of amy lowells poem september 1918

On February 9, , Amy Lowell was born at Sevenels, a ten-acre family estate in Brookline, Massachusetts. Her family was Episcopalian, of old New England stock, and at the top of Boston society.

Lowell was the youngest of five children. September, by the Modernist poet Amy Lowell is a very enlightening poem.

It gives a sense of hope and imagination. It was how the writer wanted to see the world in the year , during the World War I. Amy Lowell was painting a picture of how the world should have been compared to the way it really was.

About Amy Lowell's Poetry